Joe Bates
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Honest Accounts

9/14/2018

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I left university with the absolute intention to become a composer, but only a vague meaning of what that meant. I knew I was taking on a hard task with poor financial prospects, but my understanding of this was hazy, based on parental warnings and the half-understood examples of my smattering of older friends. I hoped that as I spent more time in the arts, things would clarify.

Yet the mystery of artists’ finances only grew with experience. I am very privileged; my parents pay my rent, ease my cash-flow, and help with much more besides. Yet I regularly come across people whose existence seems completely out of reach: the musician with thousands of pounds of electronic equipment; the artist who seemed to be 50% late-night debauchery, 50% inspired art, 0% day job. My mystification, to my shame, also extended in the other direction. With all my privilege, I feel like I’m working at full capacity. How do those without such resources manage

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All photographs by Ilme Vysniauskaite
  • News
  • Music
    • Full List
    • Large Ensemble >
      • Muted The Night
    • Small Ensemble >
      • Ink, Colour And Gold On Paper
      • Wound Honey
      • Straight Line Through A Landscape
      • Two Animals
      • Nocturne
      • Lain Lines
      • Us Alone
      • A Noise So Loud
    • Solo >
      • Phasmid
      • Odd Coils
      • Sparrow
      • Street Through A Window
      • Two Animals
      • Flim Flam
    • Vocal >
      • Absence
      • The Hazelnut
      • Some Parts of Us
      • Now Is A Long Time
      • Cataracts
      • Ceasing
      • Hildegard
  • Recordings
  • About
  • Teaching
  • Filthy Lucre
  • Research
    • The Hyasynth
  • Upcoming Dates