At Filthy Lucre's Fundraiser on 13th October (invites still available), I'll be performing arrangements of chants by Hildegard for voices and electronics with Lucy Cox. This is both a development of the work I did with Paul Vernon and Filthy Lucre (which will also be shown at the event) and the beginning of a very exciting new project with Sansara (of which more anon).
In my arrangement of Alma Redemptoris Mater I stuck to simple rules, using just one technique: granular delay. Yet the effects can be quite remarkable, particularly when performed over an extended period. I don't want to spoil the novelty of a new work, so here is a short snippet of some of the techniques, using Josephine Stevenson's vocals from my collaboration with Paul Vernon: