Thank you so much to everybody who made it down to Filthy Lucre’s Fundraiser on Saturday! We had a great time, and appreciate enormously all the support offered. I was glad to have the chance to perform with Lucy Cox of Sansara Choir and to give the first performances of two tracks from my EP.
Lucy and I will be performing those again as part of a concert with Sansara at Romsey Abbey this Saturday, do come along if you’re based nearby. This is the beginning of a longer collaboration with Sansara on some very interesting work for choir and electronics – I can't wait to let you all know about the next steps!
At Filthy Lucre's Fundraiser on 13th October (invites still available), I'll be performing arrangements of chants by Hildegard for voices and electronics with Lucy Cox. This is both a development of the work I did with Paul Vernon and Filthy Lucre (which will also be shown at the event) and the beginning of a very exciting new project with Sansara (of which more anon).
In my arrangement of Alma Redemptoris Mater I stuck to simple rules, using just one technique: granular delay. Yet the effects can be quite remarkable, particularly when performed over an extended period. I don't want to spoil the novelty of a new work, so here is a short snippet of some of the techniques, using Josephine Stevenson's vocals from my collaboration with Paul Vernon:
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