"Music is feeling, then, not sound;
And thus it is that what I feel, Here in this room, desiring you, Thinking of your blue-shadowed silk, Is music." (Wallace Stevens, Peter Quince at the Clavier) |
A piece about London, where every building is raised from the guts of its predecessor.
|
A piece about failure, written for Zoe Martlew. A partner piece for Horatiu Radulescu's Intimate Rituals.
|
A piano quartet that gets happier as it goes along.
|
16', with an excerptible movement. For Piano Quartet.
Full details |
A song about seeing all of creation in a ball the size of a hazelnut. Text by Julian of Norwich.
|
5'. For choir.
Full details |
A song about time in isolation.
|
6'. For choir.
Full details |
A song about losing friends.
|
5'. For choir.
Full details |
|
A song about blindness and waterfalls.
|
4'. For soprano and piano.
Full details |
A song about death.
|
16'. For choir and live electronics.
Full details |
A setting of Hildegard of Bingen's imaginary language for a film by Paul Vernon.
|
10'30". For synths, soprano and film, or soprano and electronics.
Full details |
A virtuosic tune for double bass.
|
9'. For solo double, scordatura.
Full details. |
A suite of dusty pieces for muted, detuned harp.
|
12', with four excerptible movements. For solo harp.
Full details. |
A meditation for singing accordionist.
|
5'.
Full details |
A suite for synthesisers about desire at a remove.
|
28'. For solo electronics.
Full details |
A series of songs, for me to perform, that I never perform.
|
27'. For a singer playing keyboard and electronics.
Full details |
A piano piece about wanting to run away to a cottage in the rain.
|
5'. For piano.
Full details |
"Awake all night my friends and I,
Hunkered under mosque lamps domed with fine-traced brass: These charged our spirits to shine like them: The internal of electric hearts." Marinetti, trans. Oran Maguire |
5'. For electronics.
Full details |
All photographs by Ilme Vysniauskaite
|