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"Music is feeling, then, not sound;
And thus it is that what I feel, Here in this room, desiring you, Thinking of your blue-shadowed silk, Is music." (Wallace Stevens, Peter Quince at the Clavier) |
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A piece about London, where every building is raised from the guts of its predecessor.
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A piece about failure, written for Zoe Martlew. A partner piece for Horatiu Radulescu's Intimate Rituals.
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A piano quartet that gets happier as it goes along.
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16', with an excerptible movement. For Piano Quartet.
Full details |
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A song about time in isolation.
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6'. For choir.
Full details |
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A song about losing friends.
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5'. For choir.
Full details |
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A song about blindness and waterfalls.
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4'. For soprano and piano.
Full details |
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A song about death.
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16'. For choir and live electronics.
Full details |
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A setting of Hildegard of Bingen's imaginary language for a film by Paul Vernon.
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10'30". For synths, soprano and film, or soprano and electronics.
Full details |
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A virtuosic tune for double bass.
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9'. For solo double, scordatura.
Full details. |
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A suite of dusty pieces for muted, detuned harp.
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12', with four excerptible movements. For solo harp.
Full details. |
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A meditation for singing accordionist.
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5'.
Full details |
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A suite for synthesisers about desire at a remove.
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28'. For solo electronics.
Full details |
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A series of songs, for me to perform, that I never perform.
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27'. For a singer playing keyboard and electronics.
Full details |
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A piano piece about wanting to run away to a cottage in the rain.
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5'. For piano.
Full details |
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"Awake all night my friends and I,
Hunkered under mosque lamps domed with fine-traced brass: These charged our spirits to shine like them: The internal of electric hearts." Marinetti, trans. Oran Maguire |
5'. For electronics.
Full details |
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All photographs by Ilme Vysniauskaite
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